【当代中国书画名家艺术简介】

      刘毅峰，字恒源，号布衣学人、先觉斋主、国艺坊主人、半隐居士等，1963年出生于广州地区，自少年时代起就爱好美术和文史，于1987年毕业于深圳大学工艺美术专业。后在从事工艺美术设计之余开始研习书画及艺术理论，旁及“经史子集”，并从早期偏重于西洋文化艺术方面的研究探索逐渐地转向于中华文化学术艺术方面的研究探索，尤其对“魏晋玄学”、“宋明理学、心学”以及传统经典画论画史特别是中国传统“文人画”理论的集大成者，书画大家董其昌的“南北宗”画论学说与“石涛画论”以及近现代的黄宾虹、潘天寿、傅抱石等大家的画论有着独到精深的研究和见解。刘毅峰先生又曾得到关山月（已故），黎雄才（已故）、黄笃维（已故）、晏济元（已故）、王贵忱、刘济荣等前辈书画大家和学者的指点，于艺术创作实践及学术理论上“更上一层楼”，并以中国传统美学思想和“论从史出”的传统学术精神作为构建自己的艺术理论框架,将“艺”与“道”紧密地结合起来，逐渐形成了自已的艺术理论系统，并始终坚持以“古为今用、洋为中用、推陈出新”、借古开今的指导思想贯穿于其理论之中，近现当代的许多著名书画大家的艺术评论文章均出自其手笔。其文每以博古通今之学识而又深入浅出的语言透彻地阐述其中的道理，被有读者称赞为“文章大气中不失细腻，现代中透着古风……”，并似有“笔锋中常带感情”，常对当今中国艺坛所存在的不良风气现象提出颇有深度的批评。

      刘毅峰先生为原广东书画艺术专业委员会常务副会长、原中国新闻出版社《广东书画》杂志副总编、原《中国书画家报》学术刊总编、原《中国艺术》杂志总编、原《中华名人》杂志艺术顾问、原“幸福广东”组委会文化艺术委员会副会长、原中国工艺美术家协会副主席兼中国画艺委会主任、原中国书画家协会学术理论委员会副主任，现为东方艺术研究院名誉院长、中南画院副院长、中南书画院副院长、一级美术师、《文化投资导刊》常务学术顾问、洛阳伊川邵雍易学研究院高级艺术顾问、《国艺》期刊杂志编委会主任、国艺春秋艺术馆名誉馆长兼常务学术顾问、英国皇家艺术研究院名誉院士。

主要荣誉：

       刘毅峰先生于2005年底被中国国学研究会授予为“国学杰出贡献艺术家”称号；2006年被中国书画家协会、民族品牌魅力中国书画名家大赛组委会授予卜“2006年中国南方最具影响力艺术理论家”；2011年人民日报社主办的《环球时报》有文章称刘毅峰先生为“岭南才子”以及“著名学者书画家”；2015年被中国文化遗产保护研究院与中国文化学会等单位评选为“中华传统文化杰出传承人”，又被中国收藏学术研究会授予刘毅峰先生为“当代最具学术价值与市场潜力的书画家”称号；2016年由“中国邮政”和“中集邮”以及北京邮政广告有限公司联合在北京出版发行刘毅峰“散锋山水国画作品”、“个性化邮票”与包括其艺术简介的“明信片”，并被中国好品牌网、中华风采人物网、华人频道、亚太好品牌实验室、《品牌研究》杂志社、中国好品牌年度人物榜评选活动组委会等单位联合举办的“2016中国好品牌艺术人物榜网络评选活动”中被评选入“中国好品牌艺术人物榜”以及推选为“2016中国好品牌影响力书画家”；2017年12月刘毅峰先生的“散锋山水国画”作品被选入由“中国邮政”和“中集邮”以及中国大众文化学会联合出版发行的“不忘初心，继续前进＊庆祝中国共产党第十九次全国代表大会胜利召开《中国当代艺术大家＊大作》纪念珍藏版邮册”以及“个性化邮票”与2018年“明信片”。近些年来还有超过百家的网络传媒推介布衣学人刘毅峰先生的”书画艺术”及其艺术理论“美学”思想，尤其推介他的“散锋山水国画”艺术，其中包括中国艺术教育网、科学中国、今日头条、天天快报、凤凰新闻、腾讯新闻、网易新闻、搜狐新闻、北京时间、名家荟萃、百度百家号、导航网、藏艺网、中国美术名家网、中国名家书画网、国家现代艺术网、书画家百科、互动百科、知识百科、百度百科、新浪博客、一带一路艺术名家、墨宝珍品等著名网络传媒以及近一百个地级市区具有代表性的网站。

人物评价：

       刘毅峰先生艺术上最具品牌影响力的是其原创的“散锋山水国画”。据刘毅峰先生所述：其“散锋山水国画”主要是受到傅抱石大师的“散锋画法”影响启发发展而来的，早期并曾得到中国画大家黎雄才和刘济荣两老先生的鼓励和肯定，再加上此“散锋画法”与自己的性情以及审美趣味偏好相适应，才促使他一直坚持走这“散锋山水画”艺术创作之路。而刘毅峰先生经过了这么多年在此艺术创作实践上的不断探索，并坚持以“中画为体，西画为用”的艺术创作指导思想，融会中西之画法，逐渐形成了一种既能体现中华文化气象和中国艺术精神又具有个人艺术特色以及南方特色的“散锋山水”画风。刘毅峰先生的“散锋山水画”，按其创作“心得”所述：是将“山水”作为中华文化的载体，借此表现他对于中华文化之理解，表现中华文化之“美学”精神气象！这里面有“儒家”的“仁者乐山，智者乐水”之审美追求；有“禅宗”超凡脱俗的“寂静空灵”以及“不执着于形相”之审美追求；更有“道家”的“上善若水”以及崇尚“天地有大美而不言”之“大美”，以“自然”为宗、“道法自然”、物我为一、“与天地精神相往来”等之审美追求。刘毅峰先生以“山水”作为绘画题材，作为文化载体，以“散锋画法”的“笔墨语言”和中国画艺术所特有的不受“时空”约束限制的“散点透视法”，最大限度地淋漓尽致地表现他对中华文化之理解。他说在中国山水画艺术史上具有承前启后划时代意义的清代石涛大师画论中有云道：“画者，从于心者也。”他深谙此“艺道”，故他笔下的“山水”，不是任何客观现实世界中的“山水”，不是“写生”而来的“山水”，而是“万类由心”，“以心造境”，即是他心中“理想化”之“山水”，是他对中华艺术文化理解“消化”之后转变成“艺术形象”之“山水”，也可以讲是更多地追求“大美不言”的“自然天趣”之”大美”而非“人工雕琢”之美之“山水”，又是具有“宗教大爱”情怀的“人文精神”之“山水”，也是能体现作者的现代“隐逸情怀”之“山水”。故其“散锋山水画”作品之所以能蕴藉“内美”而耐人品读，愈看久愈耐看愈多东西看，画尽而意在。他那独特的“融会中西”的“散锋山水画法”，把“水”的“灵性”、“灵动”气象以及“上善若水”之精神表现得淋漓尽致，通俗上讲就是把“水”的精神气息画“活”了！那“笔端中常带情感”之“笔墨”无不透露出作者对自然和生命的热爱。所以品读刘毅峰先生的“散锋山水国画”，总感到有一种抑制不住的“激情”在勃发，有一种旺盛的生命力在张扬……通过他笔下的“山水”表现出来，充分体现出集中国文人画理论大成的董其昌宗师在画论中所言的“所谓宇宙在手者，眼前无非生机”之艺术精神！这种“笔端中常带“之”情感”，可以讲在其“散锋山水画”的艺术创作中获得最大限度之释放。综而言之，刘毅峰先生的“散锋山水国画”，是在能体现中华文化精神气象以及中国艺术精神之基础上体现他的艺术个性风格，这正是刘毅峰先生“散锋山水国画”之重要艺术特色。另刘毅峰先生除艺术创作之外，一直以来均于“国学”特别是在传统中国画史论研究方面用力尤深且颇有心得见解，数十年来一直坚持独辟蹊径地，独立特行地走具有自己特色的学术研究和艺术创作路子，“究艺道之际，通古今之变”，传承发扬“君子不器”，“志于道”而“游于艺”之中华优良传统艺术精神。他推崇陈寅恪先生“独立之精神，自由之思想”的做学问精神，推崇“时尚不能移，潮流不能动，权威不能屈”的治学为艺精神，推崇梁启超先生主张的“新之有道，必自学始”和黄宾虹先生所说的“学术如树之根本”之思想精神，深信学术才是支撑一切创新之基础，乃为一切新思想产生之源泉。其书画作品中最为难能可贵的是绝少见有“讨好人”或说“功利性色彩”的味道，没有“商业气”，没有“工匠味”，大多都是直抒胸臆，抒发性灵，颇见性情气度之书画作品。刘毅峰先生主张“不为物役”，”不以俗画传其意旨”，“画以适吾志”、“以画为乐、以画为寄”的“非功利性”的“文人画”艺术创作态度。其“散锋山水国画”，真可称得上如他《艺文集》中有诗句所言的：“满腹经论化烟云，‘散锋画法’写精神！”

[Introduction to the art of contemporary Chinese painting and calligraphy masters]

      Mr. Liu yifeng,  Liu yifeng, styled hengyuan, named cloth scholar, the master of xianchuzhai, master of guoyi workshop, semi-reclusive scholar, etc.born in guangzhou in 1963, has been interested in art and literature since childhood, graduated from shenzhen university in 1987. In arts and crafts design began to study painting and calligraphy and art theory, branch into "subset" by the history, and from the early focus on western culture and art research to explore gradually shift in cultural and academic art research, exploration, especially for "wei-jin metaphysics" and "neo-confucianism, wang yangming" point theory and traditional classical art especially in the Chinese tradition of "literati painting" theory, calligraphy and painting you dong qichang's theory of "civil cases of" painting and theory over the art and modern huang, pan, panting, etc all profound research and theory of art has the original opinion. Liu Yifeng guanshanyue (deceased) once again, Mr Li Xiongcai (late), Huang Duwei (late), YanJiYuan (deceased), Wang Guichen, Liu Jirong predecessors such as painting and calligraphy and scholars show, in the creation of art practice and academic theory "to the next level", and the traditional Chinese aesthetics and "from the history of the theory of" the spirit of traditional academic as a theoretical framework to build their own art, "art" and "dao" closely together, gradually formed its own artistic theory system, and always adhere to the "past, ocean for convenient, innovation", to borrow the guiding ideology of ancient open today through its theory, Many art criticism articles of famous calligraphers in modern and contemporary times are written by him. Each of his articles is explained thoroughly with profound knowledge of ancient and modern, which is praised by some readers as "the atmosphere of the article is not lost delicate, and there is ancient style in the modern... ", and seems to have "the pen edge often with sentiment," often on the Chinese art world today, the adverse social phenomenon has put forward a rather profound criticism.

      Mr Liu Yifeng for the former, standing vice President of guangdong painting and calligraphy art professional committee, former Chinese news press vice chief editor of the journal of guangdong painting and calligraphy, former Chinese painter-calligrapher newspaper academic publication editor, the original Chinese art magazine editor-in-chief, the original Chinese celebrity magazine art adviser, the original "happy guangdong" culture art committee, vice President of the organizing committee, the original Chinese craft artist association, vice chairman and director of writer of Chinese painting, the original Chinese painter-calligrapher association, deputy director of the academic theory, Currently he is honorary President of the Oriental art institute, vice President of the central south art academies, central south, vice President of the academy, first-class artists, "cultural investment guide is managing academic adviser, luoyang core shao yung yi institute of art advisers," Chinese art "magazine editorial board director, national museum of art in the spring and autumn honorary curator and managing academic adviser, the royal art academy honorary academician.

Main honors:
      At the end of 2005, Mr. Liu yifeng was awarded the title of "outstanding contribution artist of sinology" by China research society of sinology; In 2006, he was awarded "the most influential art theorist in south China in 2006" by the Chinese painting and calligraphy association and the organizing committee of Chinese painting and calligraphy competition of national brand charm. An article in the global times published by People's Daily in 2011 referred to Mr. Liu as "lingnan talent" and "famous scholar, calligrapher and painter". In 2015, he was selected as "outstanding inheritor of Chinese traditional culture" by the Chinese academy of cultural heritage protection and the Chinese cultural society, and he was also awarded the title of "most contemporary calligrapher with academic value and market potential" by the Chinese academy of collecting. In 2016, "China post", "China philately" and "Beijing post advertising co., ltd. jointly published and issued liu yifeng's" sanfeng landscape painting works ", "personalized stamps" and "postcards" including its artistic introduction in Beijing. And good brand by China, the Chinese spirit, Chinese characters net channels, the good brand laboratory, studies of brand magazine, China good brand annual list of the organizing committee of the contest and other units jointly organized the "2016 China good brand art characters network selection activities" were elected to the "art of Chinese good brand list" and was elected "2016 China good brand influence painter-calligrapher"; In December 2017, Mr Liu Yifeng scattered front "landscape painting" works was elected to the "China post" and "stamp" and the Chinese society of popular culture jointly published "beginner's mind, never forget to move on * to celebrate the Chinese communist party national congress held victory # 19" Chinese contemporary art all * masterpiece "mark's mail" and "personalized stamps" and "postcards" in 2018. In recent years, more than 100 Internet media have introduced the art of calligraphy and painting by the cloth scholar Mr. Liu yifeng and his art theory "aesthetics", especially his art of "sanfeng landscape painting". Including Chinese art education, science, China, today's headlines, news letters every day, the phoenix, tencent, netease, sohu news, Beijing time, famous news gathering, navigation, baidu hundred mesh, Tibetan art net, China fine arts masters nets, China's famous painting and calligraphy network, national modern art network, home of wikipedia, interactive encyclopedia, encyclopedic knowledge, baidu encyclopedia, sina blog, area along the masters of art, calligraphy treasures such as network media as well as nearly one hundred famous regional urban representative sites.

Character evaluation:
      The most influential artist in his art is his original "sanfeng landscape painting". : according to Mr Liu Yifeng, wherein the scattered front "landscape painting" mainly is affected by the "scattered back painting" panting master and is inspired, early and have had two old man get everybody Li Xiongcai of Chinese painting and Liu Jirong encouragement and affirmation, coupled with the "scattered back drawing" with their own temperament and aesthetic taste preference, that prompted his always adhere to the "scattered front landscape painting" the road of art creation. And Liu Yifeng Sir After all these years of art practice on this continuously explore, and adhere to the "in picture for body, painting as in" the guiding ideology of art creation, combining Chinese and western painting, gradually formed a can reflect the Chinese culture as well as a way of meteorological and Chinese art spirit and individual artistic features and the characteristics of the south "scattered front landscape painting style. Mr. Liu yifeng's "sanfeng landscape painting", according to his creation "experience", is to use "landscape" as the carrier of Chinese culture, to show his understanding of Chinese culture, and to show the "aesthetic" spirit of Chinese culture! There is the aesthetic pursuit of "benevolent leshan and wise people enjoying water" of "Confucianism". There are the "zen" transcendental and unworldly "silent and ethereal" and the aesthetic pursuit of "not clinging to appearance". Furthermore, there are Taoist "shangshan is like water" and "great beauty" advocating "heaven and earth have great beauty but don't talk about it". The aesthetic pursuit of "nature" is based on "nature", "nature of tao and law", "nature of things" and "interaction with the spirit of heaven and earth". With "landscape" as the subject of painting and as the cultural carrier, liu yifeng expressed his understanding of Chinese culture to the greatest extent through the "brush and ink language" of "scattering-feng painting" and the "scattering-point perspective" unique to Chinese painting, which is not restricted by "time and space". He said that in the history of Chinese landscape painting in the history of the epoch-making significance of the past and the future shitao master's painting theory in the qing dynasty, there was a cloud saying: "the painter is from the heart." He understands the "dao of art", so he's "landscape", not any objective "landscape" in the real world, is not "sketches" of "landscape", but "all things by heart", "heart", is the "ideal" of "landscape", his heart is his understanding of Chinese art and culture "digest" after into the image of "art" of the "landscape", also can speak is more pursuit of "big beauty don't say" "natural natural appeal" of the "big beauty" rather than "artificial beauty" of the "landscape", is also has the "religious love" feelings "humanistic spirit" of the "landscape", Also can reflect the author's modern "reclusive feelings" of "landscape". Therefore, the works of his "sanfeng landscape painting" can be implied by "inner beauty" to bear reading, and the longer you look, the more you can bear to see more things, and the painting is done and intended. His unique "combination of Chinese and western" "sanfeng landscape painting method," "water" "the" spirit ", "smart" meteorology and "good as water" spirit to show incisively and vividly, popularly speaking is "water" spirit painting "alive"! The author's love for nature and life is revealed in his "emotional writing". So to read Mr. Liu yifeng's "sanfeng landscape painting", always feel that there is an irrepressible "passion" in the boom, there is a exuberant vitality in publicity... Through the "landscape" in his writing, dong qichang, a master of Chinese literati painting theory, fully embodies the artistic spirit of "the so-called universe in hand, nothing but vitality at the moment" in his painting theory. This kind of "emotion" often takes "it" in the end of the pen, which can be said to get the maximum release in the artistic creation of "scattered feng landscape painting". To sum up, Mr. Liu yifeng's "sanfeng landscape painting" embodies his artistic style based on the spirit of Chinese culture and the spirit of Chinese art, which is an important artistic feature of Mr. Liu yifeng's "sanfeng landscape painting". Another Mr Liu Yifeng besides the artistic creation, has been all in "national studies", especially in the study of traditional Chinese painting history especially hard and have a good result, has for decades been insist on going, and walk with their characteristics in spite of academic research and artistic creation, "investigate dao of art, the change at all", inheriting carries forward the "gentleman", "ambition of tao" and "swimming in arts" in Chinese tradition art spirit. He admired Mr Chen yinque thought of "the spirit of independence and freedom" scholar spirit, advocate "the fashionable trend can't move, don't move, authority can't" research into art spirit, promoting Mr Liang qichao advocated by the "new youdao, beginning will self-study" and Mr Huang say "thinking of the foundation of academic like a tree" spirit, convinced that the academic basis is the support of all innovation, is the source of all new thoughts. What is most valuable in his painting and calligraphy works is rarely the taste of "pleasing people" or "utilitarian color". There is no "commercial gas" or "craftsman flavor". Most of them express their feelings directly, express their temperament, and show their temperament and temperament. Mr. Liu yifeng advocated the artistic creation attitude of "non-utilitarian" and "literati painting", which was "free from material servitude" and "free from vulgarity". His "sanfeng landscape painting", it can be called as his "art anthology" in the poem said: "full of classics to discuss the smoke clouds, 'sanfeng painting method' writing spirit!