武树华，号笔墨愚翁，卧牛居士，祖籍陕西咸阳，退休教师，现居住浙江嘉兴市，国家一级书法师。

中国楹联学会书法艺术研究会会员及常务理事、北京古今翰墨书画院副院长、上海市老年书画研究会会员、河南省书画学会会员书法师、浙江省老年书画研究会会员、浙江嘉兴桐乡市老年书画研究会会员、上海闵行区书法协会会员、闵行老年书画研究会会员、莘庄书画研究会员、被中国楹联学会书法艺术研究会聘请为书画专家、被收藏天下全国数字电视频道特聘为学术指导与特邀艺术家。

品味武树华先生的书法作品，整体苍劲怀远，朴茂奇肆，笔法墨法章法，三者亦是极为工整森严，用笔苍健古拙，行笔波磔起伏，手笔粗厚率意，笔画线条瑰异凝重，字字纵横间，极富稚拙奔放之感，全有一番自然之艺趣，朴茂劲健。再看笔线亦是在平实劲挺中富有弹性，线如铸铁，刚中有柔，字字结体于平正中欹侧多变。用墨上，更是润枯有致，涩中含化，美色沉稳之时，自流明快之外，跳鱼雄强之时，又见洒脱之热先生作品，真是每一笔都富含着魅力，每一个字都是洒脱俊逸!

武树华先生一生把书法看作生命的流衍，在书法艺苑中，耕耘不缀。在继承传统书艺的同时，刻意追求个性、艺术性、欣常性和时代感，把多和书体融于自己的作品中，进入诸书皆精的境界。

Wu Shuhua, literary name Mo Yu Weng, lay Niu Jushi, ancestral home of Xianyang, Shaanxi, retired teacher, now living in Jiaxing, Zhejiang, national first-class calligraphy teacher.

Member and executive director of Calligraphy Art Research Association of Chinese Coulian Society, Vice president of Beijing Ancient and Modern Calligraphy and Painting Academy, member of Shanghai Senior Calligraphy and Painting Research Association, member of Henan Calligraphy and Painting Association, member of Zhejiang Senior calligraphy and Painting Research Association, member of Shanghai Minhang District Calligraphy Association, member of Minhang Senior calligraphy and Painting Research Association, Xinzhuang calligraphy and painting Research He was hired as a painting and calligraphy expert by the Calligraphy Art Research Association of the Chinese Coulian Society, and was specially hired as academic guidance and invited artist by the national digital TV channel of the Collection World.

Look at the pen line is also elastic in the flat stiffness, the line is such as cast iron, just in the soft, the letter in the middle of the side of the changeover. On the ink, it is moist and dry, astringent in containing, when the beautiful color is calm, the flow is bright, when the jump fish is strong, and see the free and easy Mr. Hot works, really every pen is rich in charm, every word is free and easy!
Mr. Wu Shuhua regarded calligraphy as the flow of life all his life, and he worked hard in the calligraphy art garden. While inheriting the traditional book art, he deliberately pursues personality, artistry, constancy and sense of The Times, and integrates more and the style of the book into his works, entering the realm of all books.