曹一农，原名冈，小字立达，号一农居士，别署莫年、苦丁山人、池翰堂主（早期曾用名）、大凡堂主等。1967年生于河北省秦皇岛市，受祖父影响自幼酷爱中国书画，从童年开始就对中国传统书画艺术产生了浓厚的兴趣，十三岁开始提笔作画，时常以家乡的村景、山景等进行描绘、刻画及写生。在祖父的讲述中基本了解了部分中国古、近代书画名家的生平事迹与绘画作品的基本绘画技巧，也逐步了解了部分近现代书画名家的艺术成就与艺术风格、特点等，并一直影响到自己后来对中国绘画艺术的学习与对生活中山山水水、一草一木的写生、临摹与创作过程。
绘画作品与艺术思想主要受晋宋时期宗炳、王微及南朝齐谢赫等历代名家绘画史论以及清初山水大家石涛、张大千、齐白石、黄宾虹、傅抱石、钱松岩、李可染、陆俨少、何海霞等诸位大家的影响。尤其是南朝齐谢赫的“六法论”以及清初石涛著《画语录（十八章）》文章中获益匪浅，每阅必兴，每阅必有所悟。使自己对中国绘画艺术的理解逐步加深、理解，由表及里、由量到质、由有法到无法的理论认识，并将其付诸于日后的写生与创作的实践当中。
作品内容主要以中国水墨山水为主，兼作写意花卉及篆刻，笔墨讲求神似，以神韵托形脉，一起呵成。自己主张山水作品应能达到令观者一步三回头的艺术感染力，并以此为目标，以传统为根基，以生活和大自然为营养，进而做到；勤写生以求形，勤分析以求法，勤借古以求源，勤笔墨以求化，最终达到自我-以求统一。
1979年（十三岁）开始提笔作画，每年利用暑、寒假到家乡周围山上写生、描摹。（自注：砍柴偷闲摹山水，归来梦里写形神）。
1986年在读高中期间（抚宁二中）曾组织并参加三人绘画展。
1987年到入京参加工作，拜随北京著名国画家李涵先生及金万钩先生等著名画家学习国画，笔墨主要受国画大师张大千及傅抱石等大家的影响。
1993年作品入选首届国际中国书画博览会（国家博物馆）并获优秀作品奖。
1994年入中国现代青年书画家协会，并任理事，艺术传略刊入《中国现代青年书画家名人录》。
1993年—2015年曾多次参加国际、国内各种规模及形式的书画展览和研讨会，作品备受业界的好评与关注。
1996年被评为跨世纪中外书画艺术名人称号，作品入选中外书画艺术交流精品大展并获得银奖，作品及传略刊入《中外书画艺术家明鉴》。
1997年加入中外书画艺术交流协会。
1990年至2017年，曾先后多次到祖国的大江南北名山大川写生，作品多被美国、日本、新加坡、香港、台湾、等国内外相关机构或友人收藏。
多年来利用工作之余潜心研究中国绘画史论与创作，现为河北省美术家协会会员。
联系电话（北  京）18518606743
联系电话（秦皇岛）13933596743
邮箱：ccg-chinaart673@163.com

腾讯 QQ:1046129378

Cao Yinong, formerly known as Gang, a small character Lida, a peasant householder, do not sign Mo Nian, Kudingshan people, Chi Han Tang (the early name used), such as the main hall. Born in Qinhuangdao City, Hebei Province in 1967, he was influenced by his grandfather and loved Chinese calligraphy and painting since childhood. He had a strong interest in Chinese traditional calligraphy and painting since his childhood. He began to draw at the age of 13, often depicting, portraying and sketching the village scenery and mountain scenery of his hometown. In my grandfather's narrative, I basically understood the life stories and painting skills of some famous calligraphers and painters in ancient and modern China. I also gradually understood the artistic achievements, artistic styles and characteristics of some famous calligraphers and painters in modern China, which influenced my later study of Chinese painting and the mountains in life. Sketch, copy and creation process of water, grass, and wood.
Paintings and artistic ideas were mainly influenced by the famous painters of the Jin and Song Dynasties, such as Zong Bing, Wang Wei and Qi Xiehe of the Southern Dynasties, as well as the landscapes of the early Qing Dynasty, such as Shi Tao, Zhang Daqian, Qi Baishi, Huang Binhong, Fu Baoshi, Qian Songyan, Li Keran, Lu Li Li Shao and He Haixia. Especially in the Southern Dynasty Qi Xieh's "Six Facts" and Shi Tao's "Painting Quotations (18 chapters)" in the early Qing Dynasty, the article has benefited a lot, every read must be Xing, every read must be enlightened. So that his understanding of Chinese painting art gradually deepened, understanding, from the surface to the inside, from the quantity to the quality, from the law to the impossible theoretical understanding, and put it into the future practice of sketching and creation.
The main content of the work is Chinese ink landscape, as well as freehand flowers and seal engraving, pen and ink focus on godlike, with rhyme to support the pulse, together into. I advocate that landscape works should be able to achieve the artistic appeal of the viewer, and as a goal, with tradition as the foundation, with life and nature as the nutrition, and then do; diligently sketch to seek form, diligently analyze to seek law, diligently borrow the past to seek source, diligently pen and ink to seek integration, and ultimately achieve self-unity.
In 1979 (thirteen years old) began to draw, every year to the mountains around his hometown using summer and winter holidays to sketch, depict. (Note: chop wood, steal time to imitate mountains and waters, return to dream to write shape and spirit).
During the high school in 1986 (Funing II), he organized and participated in three paintings exhibition.
In 1987, he came to Beijing to join the work. He studied Chinese painting with famous Chinese painters in Beijing, such as Mr. Li Han and Mr. Jin Wanguo. His brush and ink were mainly influenced by Chinese painting masters Zhang Daqian and Fu Baoshi.
In 1993, he was selected to the first international painting and calligraphy fair of China (National Museum) and won the award for outstanding works.
He joined the Chinese Association of Modern Young Calligraphers and Painters in 1994 and served as a director. His biography of art was briefly listed in the "Celebrities of Modern Chinese Young Calligraphers and Painters".
From 1993 to 2015, he has participated in many international and domestic exhibitions and seminars on calligraphy and painting in various scales and forms, and his works have been highly praised and concerned by the industry.
In 1996, he was awarded the title of "Trans-century Chinese and foreign calligraphy and painting art celebrities". His works were selected into the excellent exhibition of Chinese and foreign calligraphy and painting art exchanges and won a silver medal. His works and biographies were briefly published in "A Brief Review of Chinese and foreign calligraphy and painting artists".
In 1997, he joined the Chinese and foreign painting and calligraphy art exchange association.
From 1990 to 2017, he went to the famous mountains and rivers in the north and south of the Yangtze River to sketch many times. His works were collected by relevant organizations or friends in the United States, Japan, Singapore, Hong Kong, Taiwan and other countries.
For many years, he has devoted his spare time to the study of Chinese painting history and creation, and is now a member of Hebei Artists Association.
Contact number (Beijing) 18518606743
Contact number (Qinhuangdao) 13933596743
Mailbox: ccg-chinaart673@163.com
Tencent QQ:1046129378