Mr. Wang Kongqing, born in 1955, a member of Qingdao Calligraphers Association, a member of China Academy of Qingdao, his childhood love of calligraphy, like Hanbei more precious ritual, Cao Quan rubbings. Long term adherence to the ideals of calligraphy art, sentiment, will, talent, wisdom, self-cultivation. EN to the famous painter 100 year old Mr. Feng Ping, under the guidance of predecessors, the sublimation of his calligraphy art and art to enlighten the mind. Although the jade has a blemish, There is no end for learning., but teachers are more optimistic about their artistic potential and personality in lines and stable structure level in his works, a quaint quiet atmosphere highlighted.

Mr. Wang Kongqing's script fluency, font founder. The stele of Zhang Qian mainly square calligraphy pen, rigorous, correct and simple in structure, shape changing, long and flat, because of potential students, and "Shimen song" are called Han Li most style, the artistic charm of the stone works. There is a great difference between Wang Kongqing's calligraphy in terms of structural change and interest. It is not only Zhang Zhuo, sweet vulgar, is not easy to oily, so as to show the official script unique temperament. It is clear that Mr Wang Kongqing's style is from the "B" in Hanbei Ying, "ritual" transition to reflect the diversity of aesthetic script.

王孔清先生，1955出生，青岛市书法家协会会员，青岛一神州书画院会员，自幼酷爱书法艺术，钟情汉碑更珍爱礼器，曹全等碑帖。长期坚持书法艺术的理想，情操，意志，才华智慧修养。承恩于著名书画家百岁老人冯凭老先生，在前辈的指导下，升华了自己的书法艺术和启迪心灵艺术。虽然学海无涯，美玉有瑕，但老师更看好其艺术潜力和人格力量以其作品中平实的线条和平稳的结构，可凸显出的一种古雅静谧的氛围。
王孔清先生的隶书圆润流畅，字形方正。而张迁碑书体以方笔为主，结构严整、端正朴茂，字形充满变化，长扁相间，因势而生，可与《石门颂》并列称为汉隶中最具风格特征、也最具艺术魅力的碑刻作品。王孔清先生的书法在内在结构变化与情趣表现力度上与之相差很大。张迁唯其拙，故不甜俗，也不易落笔油滑，故而能表现隶书的特有气质。很明显可以看出王孔清先生的隶书是从汉碑里《乙瑛》、《礼器》等过渡而来，体现出隶书的多样美感。