李玄，汉族，北京市人,1953年生，名彦，字石青，号奇峰山人，玄墨道人，美国国际艺术家委员会四星级书画家；国内前50名实力派书画家，玄墨书画创始人，国家一级美术师，中国书法家协会会员，中国敦煌艺术创作委员会副秘书长，中国书画研究院副院长，山东省滕州市现代书画院名誉院长，东方玄墨书画院院长，世界华人美术家协会名誉主席，中国华夏书画院副院长，国际经典书画院客座教授，文物鉴定家。2011年获中华人民共和国杰出艺术家称号,2012年其作品入编《新中国美术家大典》。70年代初从事书画艺术美术史的研习。80年代初至90年代末期以水墨大写意花鸟代表作有梅、兰、竹、菊(四君子)，松、竹、梅(三友图)，善长风雪竹，水墨写意山水书法以楷书草书为主创。艺术创作进入90年代未期以玄墨书画为主导。创始玄墨艺术文化(道家思想佛学理念为创作宗旨)。1996年编写《浅谈中西方美术史》一书，后又相及获中国艺术金像奖等。

  本人以中国古代道家思想为理论，从事玄墨书画创作多年并发表多篇研究玄墨文化新技法的理论性著作，多年从事古玩书画鉴定，本人认为中国书画应继承传统，力求创新。

Li Xuan, Han nationality, Beijing native, born in 1953, famous Yan, Shiqing, Qifeng Shanren, Xuanmo Taoist, four-star painter and calligrapher of the American International Artist Council; the top 50 domestic strength school painter and calligrapher, founder of Xuanmo painting and calligraphy, national first-class artist, member of Chinese Calligrapher Association, deputy of the Dunhuang Artistic Creation Committee of China Secretary-General, Vice-President of the Chinese Academy of Calligraphy and Painting, Honorary President of Tengzhou Modern Academy of Calligraphy and Painting, Honorary President of Oriental Xuanmo Academy of Calligraphy and Painting, Honorary President of the World Association of Chinese Artists, Vice-President of the Chinese Academy of Calligraphy and Painting, Visiting Professor of the International Classic Academy of Calligraphy and Painting In 2011, he was awarded the title of outstanding artist of the People's Republic of China. In 2012, his works were included in the New China Artists'Dadian. In the early 1970s, he studied the art history of calligraphy and painting. From the beginning of 1980s to the end of 1990s, the representative works of freehand flower and bird in ink and wash were plum, orchid, bamboo, chrysanthemum (four gentlemen), pine, bamboo and plum (three friends picture), good at wind and snow bamboo, and freehand landscape calligraphy in ink and wash was mainly created by regular script and cursive script. Art creation entered the early 1990s with Xuanmo calligraphy and painting as the leading role. Founding the art and culture of metaphysics and ink (Taoist thought and Buddhism as the purpose of creation). In 1996, he compiled A Talk about the History of Chinese and Western Fine Arts, and later won the Golden Image Award of Chinese Art.

Based on the theory of Taoism in ancient China, I have been engaged in the creation of metaphysical ink painting and calligraphy for many years and published many theoretical works on the new techniques of metaphysical ink culture. I have been engaged in the appraisal of antique painting and calligraphy for many years. I believe that Chinese painting and calligraphy should inherit the tradition and strive for innovation.