Artist | 艺术名家

  • Hu Fengping- Sydney Academy of Art | 悉尼中国书画院
  • Hu Fengping- Sydney Academy of Art | 悉尼中国书画院
  • Hu Fengping- Sydney Academy of Art | 悉尼中国书画院
  • Hu Fengping- Sydney Academy of Art | 悉尼中国书画院
  • Hu Fengping- Sydney Academy of Art | 悉尼中国书画院
  • Hu Fengping- Sydney Academy of Art | 悉尼中国书画院
  • Hu Fengping- Sydney Academy of Art | 悉尼中国书画院
  • Hu Fengping- Sydney Academy of Art | 悉尼中国书画院
  • Hu Fengping- Sydney Academy of Art | 悉尼中国书画院
  • Hu Fengping- Sydney Academy of Art | 悉尼中国书画院
  • Hu Fengping- Sydney Academy of Art | 悉尼中国书画院
Hu Fengping- Sydney Academy of Art | 悉尼中国书画院Hu Fengping- Sydney Academy of Art | 悉尼中国书画院Hu Fengping- Sydney Academy of Art | 悉尼中国书画院Hu Fengping- Sydney Academy of Art | 悉尼中国书画院Hu Fengping- Sydney Academy of Art | 悉尼中国书画院Hu Fengping- Sydney Academy of Art | 悉尼中国书画院Hu Fengping- Sydney Academy of Art | 悉尼中国书画院Hu Fengping- Sydney Academy of Art | 悉尼中国书画院Hu Fengping- Sydney Academy of Art | 悉尼中国书画院Hu Fengping- Sydney Academy of Art | 悉尼中国书画院Hu Fengping- Sydney Academy of Art | 悉尼中国书画院

Hu Fengping- Sydney Academy of Art | 悉尼中国书画院

  • Product description: Hu Fengping- Sydney Academy of Art | 悉尼中国书画院
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珠山九人:户峰平,江西九江人,系中国传统工艺大师,庐山中国画研究院景德镇艺委员主席,中澳文艺交流促进会景德镇首席代表,江西省高级陶瓷美术师,景德镇青年画院特邀画师,江西省美术家协会会员、九江市美术家协会会员、陶瓷美术师,现景德镇设有珠山九人工作室,从事陶瓷艺术创作。早年受中国美术大师应野平等老一辈艺术家的传 教,后就读于上海美术学校,作品曾多次参加世界陶瓷博览会并获奖。中国文化报、中国陶瓷报、央 观夕阳红栏目、江西五套、光华时报、九江电视台,九江日报、九江都市报、景德镇报、景德镇有线 网等媒体做过人物专题报道。江西电视台《艺术与收藏》独家采访播报。

户峰平:清丽婉约 
别开生面盛世出才子。在众多美术院校的莘莘学子中,总有一些天赋秉异、悟性极好的学者脱颖而出 ,中青年画家户峰平就是其中一位。他既攻水彩、油画、国画,在陶瓷绘画艺术上也独树一帜,他的 画如新娘浓妆艳抹,又似出水芙蓉袅袅婷婷。如果说他的画像一首诗,那么肯定是婉约派无疑。
户峰 平的作品,给人的第一印象就是色彩明快活泼,有很强的视觉冲击力。他取意新安画派之风,给作品 敷以明丽之色,寄情于方寸之中,成就其鳞次栉比、百旋葱茏的风格。面对他的画,笔者只能感慨身 无双翼,难越蓬莱之巅。仿佛怅惘之间,有灵犀一点,转为远啼之梦。
户峰平主修水彩,兼学水墨, 中西合璧,通融互补,推陈出新。他的釉上彩瓷板画把水彩和水墨的技巧和长处融为一体,赏心悦目 ,让人百看不厌。
在他的画作里,笔者既可看到传统,也能看到创新。他没有刻板地沿用传统技法, 而是承接其精神,师法造化。为表达心中所想,创造了属于自己的一种绘画语言。
从他的水彩画作《 失去的记忆》、《大宅门》和《乡音》中,可看出他在师法自然,并从中找到新感受、新形式,亦可 看出他在更高层次上师法造化,做到人与自然的合二而一。作为孕育于自然中的“我”,不但回归消 融于自然怀抱,更基于对自然的理解和感恩,画出山川灵魂,与众生灵共舞。好作品不应仅仅停留在 技法的探索上,更应以表现自然精神为主旨。一切技法形式皆由此而生。
笔墨当随时代。绘画的变革 ,应该从思想变革开始,这就促使画家不断地探索新形式,只有这样,才不会落入前人窠臼。户峰平 是一个变革的尝试者,他个性鲜明、风格独特的彩墨瓷板画,让他的画风更贴近这个飞速发展、五彩 缤纷的时代。
从他的釉上彩瓷板画代表作《乡音》、《鸟巢》、《戏蝶》、《春耕》等画作的牛、狗 、猫、鸡等动物的新颖构图中,可以看到他的高超的构图技艺。牛身上的小鸟,猫眼前的蝴蝶,狗身 攀附的小蝇,大小对比,动静相生,显得那么和谐,富有生活气息。看得出,他是以“好玩”的心态 在搞创作,无功利之欲,凭着率性天真,自得其乐。一个好的画家,只会去尽情享受艺术带来的快乐 ,不会让创作变得太沉重。往往以“玩”的心态更能使作品出彩。
户峰平是江西九江人,生活在陶渊 明生活过的桃花源和“悠然见南山”的赣北水乡,家乡莺歌燕舞、万紫千红的美景让户峰平难以忘怀 。萦绕着对家园的追溯与田园旧梦,他以意象的摄取、情感的具象,选择被生命意识包涵与容纳的主 体景观,表现出一个繁芜绚丽、烂漫多姿的精神世界。他汲取传统文化精髓,不经意间将禅与诗融入 画中,借物言志,表现他的思想情感和人生寓意。人风流,画亦风流,心有所动便发乎于情,止于中 。户峰平的彩墨山水花鸟人物,实属典型的“心造”之作。法自画生,障自画退,而尽得乾坤之意。
1986年获华东博览会《华东大奖》作品奖,作品被收藏;
2005年获杭洲博览会中国工艺美术作品《百 花杯》银奖;
2015 年作品参加济南国际陶瓷博览会,作品被收藏。

Zhushan nine: Jiangxi Jiujiang Hu Fengping peak, China, Department of traditional craft master, chairman of Mount Lu Chinese Painting Academy Jingdezhen Art Committee, in the Australian Cultural Exchange Association chief representative of Jingdezhen, Jiangxi Province, a senior ceramic artist, Jingdezhen youth academy invited painter, member of Jiangxi Province Artists Association, Jiujiang Artists Association of ceramic artists. Jingdezhen now has nine people in Zhushan studio, engaged in ceramic art creation. In the early years, he was taught by Chinese art masters, who were equal to the older generation of artists, and later studied at Shanghai art school. His works have won many awards at the world ceramic fair. Chinese culture newspaper, China Ceramic newspaper, central view sunset red column, Jiangxi five sets, Guanghua times, Jiujiang TV station, Jiujiang daily, Jiujiang Metropolis Daily, Jingdezhen newspaper, Jingdezhen cable network and other media have done special reports. Exclusive interview and broadcast of art and collection of Jiangxi TV station.

Hu Ping: elegant and graceful peak
Open up a fresh outlook Saatchi out wit. In many art college students, there are always some scholars understanding excellent talent grasp talent shows itself, young artists, household peak is one of them. He is of watercolor, oil painting, traditional Chinese painting, in the ceramic painting art has become an independent school, his paintings as a bride makeup, like curvaceous and soft. If his portrait is a poem, it must be graceful and graceful.
The first impression of family Feng Ping's works is that the color is lively and lively, and has a strong visual impact. He intended to take Xin'an school to apply to works of the wind, bright color, focussed on the loss, and the achievement of its spin verdant style row upon row of 100. In the face of his paintings, the author can only lament that there is no wings, it is difficult to reach the top of Penglai. If have a little wistful, into a dream far cry.
Hu Feng Ping majored in watercolor, and ink, Chinese and Western, complementary accommodation, innovation. His glaze color porcelain painting to watercolor and ink painting skills and strengths are good to hear or see, people baikanbuyan.
In his paintings, the author can see both tradition and innovation. He did not rigidly follow the traditional techniques, but to undertake the spirit of imitating nature. In order to express what he wanted, he created a painting language of his own.
From his paintings as "lost memories", "true" and "accent", he can be seen in nature, and find new feelings, new form, also can see his nature on a higher level, so that people and nature are one. As the "me" bred in nature, not only return to the natural embrace, but also based on the understanding and thanksgiving of nature, draw the soul of mountains and rivers, and dance with the spirit of all beings. Good works should not only stay in the exploration of skills, but also should show the spirit of nature as the main theme. All techniques and forms come from this.
Pen and ink should follow the times. The reform of painting, should start from the ideological change, which prompted artists continue to explore new forms, only in this way, will not fall into the pattern of predecessors. The user peak is an attempt to change, his distinctive personality, unique style of Chinese porcelain painting, make his style closer to the era of rapid development, a riot of colours.
From his glazed porcelain painting masterpiece "accent", "bird's nest", "play", "Butterfly Spring" his cattle, dogs and cats, chicken and other animal novel composition, composition can see his skill. Cattle bird, cat dog in front of the butterfly, cling to the small flies, size comparison, movement of students, is so harmonious, rich flavor of life. See, he is a "fun" mentality in creation, non utilitarian desire, with the whims of innocence, as a pleasurable occupation. A good painter, only to enjoy the joy of art, will not make the creation too heavy. Often with "play" mentality can make the work out of color.
Jiangxi Jiujiang households peak to average people, living in Tao Yuanming lived in the Peach Garden and the "leisurely to see the mountain" in northern Jiangxi Province, the hometown of the joys of spring water, a riot of colour beauty make peak to average households unforgettable. Lingering traces and pastoral dream of home, with his figurative images of uptake, emotion, life consciousness and accommodate the inclusion selection is the main body of the landscape, showing a colorful and brilliant scene in the intricacies of the spiritual world. He absorbed the essence of traditional culture, Zen and poetry will inadvertently come into the picture, by expressing his thoughts, showing emotion and life meaning. Romantic, romantic painting, the heart has she made peace in the situation, check in. Chinese landscape flowers peak to average household figures, is typical of the "heart" of the. Method of self portraits, self portraits and avoidance retreat, as the universe.
In 1986, he won the prize of East China prize of East China Fair, and his works were collected;
In 2005 by the exhibition of works of Arts and crafts Chinese "flowers Cup" award;
In 2015, he participated in the Ji'nan International Ceramic Fair, and his works were collected.