Old Chinese painter Hao Xiaoqi long -- the green mountains and rivers - Sydney Academy of Art | 悉尼中国书画院

When I was a child, I had some memories in my mind, a little while, a little while, and a little while. The three year old cold, lock the life action and happiness, the father for the sick son, mother to son to seek for that residue has been set, but the life for me to his parents. After many years of kindergarten, primary school, to teach children the father, mother's writing, involuntarily, ambition determined in the chest, parents' teachings, deep in the heart......
Hao Xiaoqi is now a member of Chinese contemporary celebrity painting and Calligraphy Academy, and a member of Chinese painting and calligraphy association. This is an excerpt from one of his essays, "life sixty.". Zhu Hong went into his house, the floor, antique decoration, ink but not disorderly distribution in the pot around the board, grasshopper tired cried, like Taoyuan. The wall is covered with his own works, landscapes, figures, flowers and birds are perfectly lifelike, watching and watching, as if people have walked into the painting, unwittingly into the fans. I didn't realize he was rude until he called me up.
Hao Xiaoqi liked drawing when he was a child. When he was 10 years old, he had a chance to meet Li Keran. In his love, his life will learn to teach. That experience laid the foundation for Hao Xiaoqi's painting. After work, he went into the seed system. He painted and posted pictures for the unit. He developed a solid grounding in his work. At that time, the provincial and municipal leaders went abroad to visit and asked him for gifts of calligraphy and painting as a gift to other countries. After working hard all his life, Hao Xiaoqi finally got a lot of time to study and paint after he retired. He gathered the essence of all the people and integrated himself into his own ideas and pursuits. At the same time he opened his own blog, each pair of works uploaded to the inside, then he has participated in large-scale exhibition and award-winning, gradually gained recognition and praise in the industry, is the end of late.

小的时候，有些记忆在脑海里划过，一会儿戏水，一会儿奔波。三岁风寒，锁住今生行动与快乐，父为儿病愁，母为儿四处寻医讨说，残已定，但父母一生为我殚待着。幼儿、小学许多年的经过，父教儿立志，母教儿写作，身不由己，志向确定在胸有落，父母的教诲，深深扎在心窝……

郝晓岐，现为中国当代名人书画院院士，中国书画协会等多家协会会员。上文是他的一篇杂文《人生六十载》中的节选。走进他的家，朱红的地板，古香古色的装饰，笔墨纸砚杂而不乱的分布在画板周围，盆栽下的蝈蝈不知疲惫的叫着，如同置身桃源一般。墙壁上挂满了他自己的作品，山水人物花鸟无不惟妙惟肖，看着看着仿佛人也走进了画中，不知不觉竟入了迷。直到他招呼我过去，才发现自己失礼了。

郝晓岐从小喜欢画画，10岁的时候一次偶然的机会让他与李可染相识。李可染爱才，将其平生所学倾囊相授。那段经历奠定了郝晓岐绘画的基础，工作后他进入种子系统，他为单位画广告张贴画，扎实的功底逐渐在工作中展现出来。当时省市领导出国访问，都向他索要字画作为礼物馈赠他国领导。辛劳一辈子，退休后的郝晓岐终于有了大把的时间专研绘画，他集众大家之精华，融会贯通进自己的理念与追求，一幅幅作品运笔而生。同时他开通了自己的博客，每出一副作品就上传到里面，后来他又多次参加大型画展并屡获大奖，逐渐在业内获得认可和好评，大器终晚成。

Hao Xiaoqi's work has one of the biggest characteristics - the theme is outstanding. Several times, he was invited to participate in the exhibition, and found that most of the works are not landscapes, flowers and birds, which some people do not understand at all. They have nothing to do with the theme of the exhibition. Some friends say he is behind the times, but he has his own insistence: "the painting should have a message, with creativity, like Mr. Qi Baishi said, so that people can understand."." When a lot of friends and relatives drew a line to him, he thought about the theme according to people and things. He said, "I particularly enjoy the process of thinking. As long as I put rice paper on the drawing board, the inspiration will come."." Parental education and edification, Hao Xiaoqi has deep feelings for the party and the country, important activities whenever he will, paint, with inner joy and excitement.
Dean, Beijing painting and Calligraphy Institute of Beijing China Chen Xiangmei Research Association executive secretary of President Yang Qingyun, Fan Ceng (pseudonym of long three kuaiqiang) once wrote of Hao Xiaoqi: "over the years, Hao Xiaoqi like a hermit, indulge in ink, indulge in size, not seek to know whether in the world. Flowers and grass, a bird and a stone, coruscate gives out new style in his works, make the audience moved, praise the sound of four...... He's a flower a bird, all with the conversion of the language Chinese painting creative, to the performance of the modern mental state of our times complex, this is the original value pursuit of Hao Xiaoqi."
Hao Xiaoqi was born in 1952 has been over sixty years of age, although the action is inconvenient, but have to do a thousand sails after the indifferent and open-minded, daily send love paintings, ink rhyme and poetry; or grandchildren play happiness within. As he writes: "the flight of time, sixty years has passed, to return to the past, worthy of my life on the road, 60 days before harvest and happy life...... As long as the family is peaceful, happiness will always be accompanied by a happy life. After leisure, life is more important. After the sunset, there will be more glorious sunset. The three generations live together with one another, and the happy new life will bring Xinle home."

郝晓岐的作品有一个最大的特点——主题突出。有几次他受邀参展，结果发现大多数作品不是些山水花鸟，就是些百姓根本看不明白的，跟展览主题毫不相关。有朋友说他落伍了，他却有着自己的坚持：“画中要有寓意，带有创作性，要像齐白石先生说的那样，让老百姓看得懂。”很多亲朋好友向他索画时，他都会根据人和事情去构思主题，他说：“我特别享受思考的过程，只要在画板摆上宣纸，灵感就会不断涌来。”受父母的教育和熏陶，郝晓岐对党和国家也有着深厚的情感，每逢重要活动，他都会提笔作画，以表内心的欣喜与激动之情。

北京大中国书画院院长、北京陈香梅研究会执行秘书长、范曾研究会会长杨青云(笔名三道快枪)曾著文评价郝晓岐：“多年来，郝晓岐像一个隐士，沉醉于笔墨间，纵情于尺幅内，不求闻达，不问世事。一花一草，一鸟一石，在他的笔下焕发出别样风采的探求新意，使观者动容，赞誉声四起……他笔下的一花一鸟，都是带着对中国画语言的创造性转换，以表现我们时代复杂的现代人精神状态，这就是郝晓岐可贵的原创性追求。”

1952年出生的郝晓岐已过耳顺之年，虽行动多有不便，却有着千帆过尽后的淡然与豁达，每日情寄丹青、墨韵抒怀；或是与外孙玩耍，乐在其中。正如他自己所写：“光阴似箭，六十年已过，回往过去，人生路上无愧于我，花甲日前，又有人生喜事收获……只要家祥和，幸福永伴美满生活，休后人生更重要，休后晚霞光彩多，三代同堂，其乐融融，新生为家添新乐。”