Zhu Xiaohang (Zhu Xiaoang, Tur den Delle) is the owner of Jing Xian Zhai. Jin Huahua, Zhejiang Province, member of the Chinese Hard-brush Calligraphy Association, member of the Calligraphers Association of the Central Government, director of the Chinese Calligraphers and Painters Association, chairman of the National Association of Celebrities in Calligraphy and Painting Art, senior lecturer in calligraphy education, member of the Ink Danqing Calligraphy and Painting Academy of China Education Television, academician of the Chinese National Academy of Painting and Calligraphy Art Deputy director of the Research Institute, invited artist of Chinese painting and calligraphy network in Sydney, Australia.
Zhu Xiaohang has been fond of calligraphy since childhood. He has studied calligraphy for more than 30 years. He has learned from the ancients, studied calligraphy such as Dazhuan and Weibei, and posted to Yan, Liu, Mi and Wang. Mr. Bao Guoan, the founder of contemporary Kunlun School calligraphy, the third-generation successor of Bao's calligraphy, and Mr. Hu Yilong, the tutor of Tsinghua Academy of Fine Arts, were all teachers. Zhu Xiaohang's writing style was vigorous and powerful, simple and elegant, moderate and heavy, with smooth and free style, smooth writing style and smooth rhythm. The works have been collected and exhibited by many units such as the Tiananmen Gate Tower. They have also been collected by Zhao Xiaolan, Secretary of Transport of the Chinese-American Federal Government, Notre Dame in Paris, the Imperial Family of Malaccia, the Governor of Nadu and other foreign friends and politicians.
In September 2015, he participated in the calligraphy and painting exhibition held by Jiangxi Huang Tingjian Academy of Culture and Art in Jiangxi Arts and Crafts Museum to commemorate the 70th anniversary of the victory of the Anti-Japanese War. In June 2016, he won the first prize in the first national calligraphy network competition. In October 2016, he participated in the National People's Political Consultative Conference Hall Golden Hall and Art Museum grandly held the "Summit Forum on Promoting Zhao Puchu's Lofty Thought and Exhibition of Famous Artists'Calligraphy and Painting". In December 2016, he participated in the 5th National Calligraphy Education Experience Forum and Senior Lecturer Examination Training, and won the title of Senior Lecturer recognized by the Ministry of Culture. In April 2017, he participated in the CCTV educational channel "painting and calligraphy column" calligraphy and painting exhibition. May 27, 2017 to participate in the HOPE and Beijing concentric circle charity fund charity auction, all donations to the HOPE Children's Rehabilitation Center. In June 2017, he participated in the first "Internet + business new mode" Entrepreneur Summit Forum calligraphy and painting charity auction, and all the proceeds were donated to China's concern for the next generation Work Committee Public Welfare Cultural Center for the poor children's cultural undertakings. In June 2017, he participated in the National Wushu calligraphy and painting exhibition. In June 2017, he participated in the second Beijing (International) new urbanization industrial exposition and the "one belt and one road" project cooperation summit organized by the Beijing National Convention Center. On September 5, 2017, he participated in the exhibition of famous calligraphers and paintings held by National 315 Integrity Brand Alliance. In September 2017, he won the first prize in the world art competition Chinese painting and calligraphy competition. In October 2017, he won the honorary title of "Brand Influence Calligraphy Artist" and "China Good Brand Influence Calligraphy Artist". In November 2017, he participated in a cultural forum to promote the noble spirit and commemorate the 110th anniversary of Zhao Puchu's birth, and won a merit award. At the charity auction held in Hangzhou on January 7, 2018, a total of 230,000 works were sold. One of the three works, Home and MasterCard, was sold at a high price of 120,000 yuan. All the proceeds were donated to poor children in mountainous areas. During the two sessions in March 2018, the national modern art network was listed as the focus of the two sessions on calligraphy and painting artists. April 17, 2018 - April 23, 2018 to participate in the Beijing meticulous brush heavy color painting Fair held "Tianxinyue - Buddhist classics calligraphy invitation exhibition". In May 2018, it was recommended by the Chinese people's art net as "the 40 year meritorious artist of China's reform and opening up". In September 2018, he was appointed as "Ambassador of Love" by the Inner Mongolia Wukeli Public Welfare Foundation named after Wu Keli, the second son of Wu Lanfu, vice president of the state. In September 2018, he won the gold medal of the eighteenth "Mount Lu Cup" poetry, calligraphy and painting competition.
Zhu Xiaohang's understanding of calligraphic art is summed up as two points: 1, art is aesthetical. 2, art is the public. Calligraphy, as an art, not only conveys personal talent and temperament, but also carries the spirit of the times. Calligraphy is a visual art, and only beautiful works can make people feel pleasant. At the same time, as the representative of Chinese traditional culture, calligraphy art can not be separated from inheritance. The history of Chinese calligraphy for thousands of years has left a rich wealth for people. It is the responsibility and historical mission of contemporary calligraphers to develop and innovate on the basis of inheriting the tradition and to serve the public. Calligraphy is like writing, but it's not just writing. Yang Xiong said, "words, heart also; book, heart painting." Calligraphy is the heart and the carrier of the spirit of the times. If calligraphy is a dancing gesture of Chinese characters, then, this dancing gesture is the spirit of calligraphers, but also the spirit of the times. Nowadays, the Chinese nation is on the historical journey of rejuvenation, under the perfusion of the spirit of the new era, looking forward to calligraphy art to create a new glory. There are some strange phenomena in the contemporary calligraphy circle. Some works blindly pursue ugliness, weirdness, strange and far away from the public, so that everyone can not understand and feel the unique charm of calligraphy. Only a small number of so-called "everyone" flaunt each other, or admire each other aloof, and eventually inevitably become "the emperor's new clothes", laughing in vain. The wheel of history is advancing rapidly. With the development of material civilization, the construction of spiritual civilization is also being strengthened. With the gradual return to rationality of the painting and calligraphy market, calligraphy art is gradually entering the ordinary people's homes. History has proved that all art far away from the masses.
朱晓航(朱晓盎、土登德勒)号净贤斋主人。浙江金华人,中国硬笔书法协会会员、中央国家机关书法家协会会员、中国书画家协会理事、全国名人书画艺术界联合会主任委员、书法教育高级讲师、中国教育电视台水墨丹青书画院会员、中国国家画院院士、中国书画艺术研究院副院长、澳大利亚悉尼中国书画网特邀艺术家。
朱晓航自幼爱好书法,学书三十余载,师法于古人,研大篆、魏碑等书体,临颜、柳、米、王等大家帖。后拜当代昆仑派书法创始人、中国书法世家保氏书法第三代传人保国安先生、清华美院导师胡一龙等多位大家为师,朱晓航所写字体遒劲有力、古朴典雅、中正厚重、笔法流畅洒脱、章法气韵通畅,颇具大家风范,其作品多次在各类大赛中获奖、参展,作品被天安门城楼等多家单位收藏和展示,并被美籍华人美国联邦政府交通部部长赵小兰、法国巴黎圣母院、马拉西亚皇室、拿督以及其他外国友人和政要所收藏。
2015年9月参加江西黄庭坚文化艺术院在江西工艺美术馆举行的纪念抗战胜利七十周年书画展。2016年6月参加首届全国书法网络大赛获优胜奖。2016年10月参加在全国政协礼堂金色大厅和艺术馆隆重举行的《弘扬赵朴初崇高思想高峰论坛暨名家书画艺术展》。2016年12月参加第五届全国书法教育经验论坛暨高级讲师考试培训,并获得文化部认定的高级讲师职称。2017年4月参加中央电视台教育频道《水墨丹青栏目》书画展。2017年5月27日参加HOPE及北京同心圆慈善基金的慈善拍卖,所得善款全部捐献给HOPE儿童康复中心。2017年6月参加首届“互联网+商业新模式”企业家高峰论坛书画慈善拍卖,所得善款全部捐献给中国关心下一代工作委员会公益文化中心 用于贫困儿童文化事业。2017年6月参加“文武之道”全国武术书画养生作品展。2017年6月参加在北京国家会议中心举办的第二届北京(国际)新型城镇化产业博览会暨“一带一路”项目合作峰会--名家书画精品展并将作品捐献给国家扶贫办。 2017年9月5日参加“全国315诚信品牌联盟”举办的“书画进万家活动”名家书画作品展。2017年9月参加“世界艺术大赛”中国站书画比赛荣获第一名。2017年10月荣获“品牌影响力书法艺术人物”、“中国好品牌上榜影响力书法艺术家”荣誉称号。2017年11月,参加弘扬崇高精神,纪念赵朴初诞辰110周年文化论坛,并获功德奖。2018年1月7日在杭州举行的慈善拍卖会上,三幅作品共拍得23万,其中一幅“家和万事兴”作品拍得12万元高价,所得款项全部捐给山区贫困儿童。2018年3月两会期间,被国家现代艺术网列为两会重点推荐书画艺术家。2018 年 4 月 17 日——4 月 23 日参加北京工笔重彩画会举办的“天心月圆——佛学经典书法邀请展”。2018年5月被中国人民艺术网推荐为“中国改革开放40年功勋艺术家”。2018年9月被以国家副主席乌兰夫次子乌可力命名的“内蒙古乌可力公益事业基金会”聘为“爱心大使”。2018年9月荣获全国第十八届“庐山杯”诗书画大赛金奖。
朱晓航对书法艺术的理解概括为两点:1、艺术是唯美的。2、艺术是大众的。书法,作为一种艺术,不仅传达着个人的才情气质,也承载着时代的精神气象,书法艺术是属于视觉艺术,只有美的作品才会让人感到赏心悦目 。同时书法艺术作为中国传统文化的代表离不开传承,中国几千年的书法史为人们留下了丰厚的财富,在继承传统的基础上发展和创新,并为大众服务这是当代书法家的责任和历史使命。书法,好像就是写字,但绝不仅仅是写字。扬雄说,“言,心声也;书,心画也。”书法是心迹,也是时代精神气象的载体。如果说书法是汉字的舞姿,那么,这舞姿摇曳的是书法家的心性,也是时代的精神气象。如今,中华民族正走在复兴的历史征程中,在新的时代精神的灌注下,期待书法艺术缔造新的辉煌。 当代书坛出现一些怪现象,某些作品一味的追求丑、怪、奇、远离大众,让大家都看不懂、感觉不到书法特有的魅力,只有少数的所谓“大家”互相吹捧,或孤芳自赏,最后难免会成为“皇帝的新装”,徒增笑耳。 历史的车轮在飞速向前。在物质文明建设不断进步的同时,精神文明建设也在不断加强,随着书画市场逐渐回归理性,书法艺术正在逐渐进入寻常百姓家,历史已经证明,一切远离大众的艺术都是没有生命力的,只有根植于大众,才会汲取到艺术营养,只有得到大众的认可,书法艺术才会有前途,才会更加焕发光彩。
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