方展华，字重实，珍花斋主人。中华人民共和国国礼画家，现任中国艺术书画研究院副院长，中国书画家协会广东分会副主席、泰国泰华艺术协会艺术顾问、红旗飘飘书画院汕头分院院长。
作品先后在泰国、日夲、新加坡等东南亚国家展出，并被泰国前副总理披猜.力禾军阁下，日本中日文化友好协会福田一郎以及海外谢慧如、陈伟南、陈克修、黄迨光等侨领收藏。《人民日报》、《南方日报》、《新中原日报》、《朝日新闻》、《世界日报》等国内外十多家媒体与电台连续报道，产生较大影响，其艺术传略已被国内外三十多部名人传录辞书收录入典，出版有《方展华国画集》、《方展华国画花鸟选》、《万水千山总是情》画册及台历，2016年在中国沉香博物馆举办个人展览，2017年由国家邮政出版巜一带一路珍藏限量版邮票》，2018年6月应邀赴泰国举办展览，2018年9月在广东力诚文化集团大酒店举办个人画展。
当今恰逢中国清明盛世，画家方展华，历经十年磨炼积淀，厚积而薄发，运用了如橼之笔，潜心创作了气势恢弘、催人奋进的《梦回清明上河》长卷，为盛世中华奉献了一笔精神财富，在历代前辈的成就上，继往开来，创造性的进行艺术发展，一卷属于当今的《清明上河图》横空出世。
方展华先生充分结合时代感受，不为前人所束缚，独辟出承载自己理想的艺术天地，达到“我之为我，自有我在”的至高境界。这幅《梦回清明上河》，最能体现画家方展华借古而开今的艺术创新精神。
此画长26米，宽0.8米，艺术手法主要借鉴了清代画作，作品繁而不乱，长而不冗。充满了戏剧性的细节描绘引人入胜，白描的手法真实体现了生活的丰富性和广阔性，画家以其对生活的敏锐洞察力与独特的审美意识表达了对传统艺术的执着追求。此画卷堪称当今中国盛世的顶峰之作，也是当代艺术的独特旗帜。
《梦回清明上河》生动刻画形形色色的社会人物、形太各异，生动有趣。三教九流、男女老少、喜怒哀乐等在画面中得以淋漓尽致地呈现。画家富有历史责任的创作，让作品自然成为了研究明清、近代社会风俗不可或缺的材料。同时结合西洋画的技法，街道、房舍等均以透视原理入画，并伴有西式建筑列置其中。此卷画用色鲜丽明亮，不仅用笔圆熟细致，画中的桥梁房舍、人物皆细腻。

此卷《梦回清明上河》最大的艺术特色，就是画中人物也增至4000人以上，尺寸更扩大到26米长及0.8米宽，较张择端的《清明上河图》增加了许多鲜活原素，进而更充分地展现了盛世中华的民族风情。这种艺术手法，正是如今国家大力提倡创新精神，在艺术作品上的最好体现。

Fang Zhanhua, the word is heavy, the owner of Zhen Hua Zhai. Guoli Painter of the People's Republic of China is currently vice-president of China Academy of Arts, Calligraphy and Painting, vice-chairman of Guangdong Branch of China Calligraphers and Painters Association, art consultant of Thailand Taihua Art Association, and President of Shantou Branch of Red Flag Floating Calligraphy and Painting Institute.
His works have been exhibited in Thailand, Riga, Singapore and other Southeast Asian countries, and have been collected by the former Vice Premier of Thailand, His Excellency Beach Lieh Jun, the Japan-China Cultural Friendship Association, Ichiro Fukuda, and overseas Chinese such as Xie Huiru, Chen Weinan, Chen Kexiu and Huang Yiguang. People's Daily, Nanfang Daily, Xinzhongyuan Daily, Asahi Shimbun, World Daily and other media and radio stations at home and abroad have reported successively and exerted great influence. Their art biographies have been included in more than 30 celebrities'dictionaries at home and abroad, and have been published in Fang Zhanhua Anthology of Traditional Chinese Paintings and Fang Zhanhua Exhibition. In 2016, he held a personal exhibition at the China aloes Museum. In 2017, he collected the limited edition stamps from the national postal publishing area. He was invited to Thailand to hold an exhibition in June 2018, and held a personal exhibition in Guangdong Licheng culture group hotel in September 2018.
Nowadays, in the heyday of the Qingming Dynasty in China, the painter Fang Zhanhua, after ten years of tempering accumulation, thick accumulation and thin hair, using a citron pen, has devoted himself to creating a magnificent and inspiring long volume of Dream Back to the Qingming River. He has dedicated a spiritual wealth to the heyday of the Chinese nation, and has made great achievements in the past, opened up the future and created creativity. With the development of art, a volume of today's "Riverside scroll on Qingming" was born.
Mr. Fang Zhanhua fully combines the feelings of the times, not fettered by predecessors, has created his own ideal art world, to achieve the highest realm of "I am what I am, I am what I am". This "dream return to the Qingming River" is the best way to embody the artistic creativity of painter Fang Zhanhua.
The painting is 26 meters long and 0.8 meters wide. Its artistic technique mainly draws lessons from Qing Dynasty paintings. Its works are complicated but not disorderly, and long but not redundant. Full of dramatic details depicted fascinating, the technique of white painting truly reflects the richness and breadth of life, painters with their keen insight into life and unique aesthetic consciousness to express the persistent pursuit of traditional art. This volume can be regarded as the peak of China's flourishing age and the unique banner of contemporary art.
"Dream of the river on Qingming" vividly portrays all kinds of social figures, shapes are different, vivid and interesting. Three classes, men, women, old and young, joy, sadness, joy and so on are vividly presented in the picture. The painter's creation with historical responsibility naturally makes his works an indispensable material for studying the social customs of Ming and Qing Dynasties and modern times. At the same time, combined with Western painting techniques, streets, houses, etc. are painted in perspective principle, and accompanied by Western-style architecture in which. This volume is bright and bright. It is not only meticulous and meticulous in painting, but also exquisite in bridges and houses.
The greatest artistic feature of this volume is that the number of characters in the painting has also increased to more than 4000, and the size has expanded to 26 meters long and 0.8 meters wide. Compared with Zhang Zeduan's "Qingming Shanghe Tu", it has added many fresh elements, thus fully showing the national customs of the flourishing age of China. This artistic technique is the best manifestation of the spirit of innovation advocated by the state nowadays.